OhWell

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OhWell
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  • @flockz See this helpful explanation of NS2’s approach by @dendy : https://www.blipinteractive.co.uk/community/index.php?p=/discussion/comment/133/#Comment_133 My goal with this thread is to get a discussion going on implementation ideas that respect NS2’s unique approach and design philosophy.
  • My current best ideas about options: * For AU synth, add a modulation matrix like for obsidian, enabling using a single knob for multiple destination each with their own modulation amount, and even possibly multipliers. Allow us to save modulation mappings as part of the NS2 presets for our AU synths. * For AUfx. This is…
  • My own suggestions about Constraints * Currently, there seems to be two separate parts to automation within the timeline. (A) Within midi “clips”, we have access to automation parameters for synths. (B) For full tracks, we have access to automation parameters for effects. I’m not sure why that is, but I’m guessing there’s…
  • @flockz I strongly disagree. It not only declutters the automation tracks (which on iOS can be a serious impediment to workflow), it also encourages the good habit of planning for automation as part of setting up synth presets and tracks. What I would like to see is the same macros and modulation matrix as in obsidian…
  • One implementation idea about the macros and au synth + AUFX automation. Would it be realistic/effective to setup a macro and mod tab just like in obsidian but for every track, and with access to all the parameters in the track? In terms of workflow, I’m thinking: every track would have the same macro layout, no matter if…
  • Love the app, love your approach to setting the direction for quality feedback from users!
  • @dendy Starting to think you’re right! Did some more testing, turns out that was with the resonant PD wave shapes. Here is an example where I can hear it. (The lfo i modulating the pitch, mod depth is set at 14 in the mod matrix.) But I’m not sure it’s due to ‘step’ like modulation behavior anymore, when I slow the lfo…
  • ^ In case you need more reasurance, I believe the dev has been using an iPad Air 2 himself.
  • Loving it too! Gigantic sound design playground with a wonderful UI and ridiculously low cpu consumption. Can’t wait to master its ins and outs. One thing I can’t figure out. ATM: on the PD oscillator type, is there a trick to get smooth (continous sounding) modulation of the phase distortion setting? (When I assign an…