dendy
http://www.dendy.sk
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Comments
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yeah i use lot of automation and long automation curves on main instruments (those which are most important un particular track section).. i use also lot of lfos for making sounds not that static (lfo>filter, lfo>pan often tempo synced but with different time signatures, also very subtle lfo>pitch modulation adds "analog"…
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If there is a real reliance on Apple in something, then in that they always something break in each release.
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thanks thanks thanks :-) i'm glad you like it :-) @peanut_gallery yeah, Obsidian is capable of some stuff which many people even don't realise... of course there are limits and weak places but if you learn how to go around them, man. My most favourite synth i ever used. I just need force Matt to add possibility to upload…
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as far as i know at least two weeks ago he was ok and perfectly healthy ;-)
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thanks mate ! Yeah TB is Obsidian too, standard LP12A filter - that "vocal alike" fx is bitcrusher - chceck this, example https://youtu.be/dehZwGKCVXY
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here ;-) https://www.blipinteractive.co.uk/nanostudio2/user-manual/ExtMIDIInstrument.html#setup
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this is known limitation... because of memory usage optimalisation maximum buffer size for delay is limited and all delay settings which are exceeding max allowed buffer size are truncated to this size... becuse current devices have lot bigger memory than devices available during NS2 developement, in my opinion this limit…
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try korvpressor, in my opinion waaay much better than RoughRider and works like a breeze in NS, using it all the time ;-)
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selecting init just loads patch with name "Default",he overwrited it so it loads his overwritten patch... Just delete "Default" patch - next time you use "init" NS will create new Default
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reduce just master.. you don't need take a care about volumes of individual channels, because NS is using for mixing 32 bit floating point precision (that floating point is important) which means it is almost impossible to get clipping ;) Just try it - set volumes of faders all the way up - it looks othat now it is all…
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also think about using of Slate internal effects - you have 4 fx busses inside Slate, you can send any pad to one of them.. every bus has 3 fx inserts (you can reorder them by drag ndrop) - EQ, Filter, Compressor and you have also Reverb/Delay send effects - so you can do pretty much do lot of mixing job in the box inside…
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@duresq for clip based automation (automating of INTRUMENT parameters) is also very handy to record automation to different clips than notes (you can add as much automation lanes to same track as you want, or you can have different clips together stacked even on SAME track lane - do you know ?). Then you can move…
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@boingboing I don'r remember exact stepsor settings, but in general * i didn't used any filters for kicks, just pitch modulation (pitch envelope) * usually i made first approximate kick with long decay (release), with not that sharp transient * then i resampled it and loaded back into obsidian into sample oscillator, and…
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oh, so all sounds are from Obsidian ? no HW synths used ? .. synths are pretty great, i would expect you sampled some analog HW :)
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you forgot link ;-)
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it fastinates me how some implementation details, which were initially design compromises becasue of slow early iOS devices, actually contributed to totally unique sound of Eden. How cool it would be to have Eden as AUv3 , it would be still strong competition for all other available synths just because how unique it…
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Man you really know how to make proper modern sounding EDM track (or what genre is this - i think this is future bass ??) Beat drop is massive, lot of energy ! Anyway respect, production skills - "very high level" :-) Maybe just one small "criticism" if it can be called this way - what is source of piano ? Sounds a bit…
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In case Akain MPK MINI 2 supports Ableton LINK, this should be in theory easy - just enable link on MPK and in nanodutio and tempo change in one should affect tempo in other In case not, then you should try IOS app "LINK TO MIDI" - it translated Ableton LINK to MIDI clock sync .. in this case enable LINK in NS, run that…
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Interesting challenge .. unfortunately NS1 desktop version doesn't work on Catalina and i haven't any iOS device capable to run NS1 .. but if you can upload this: * samples from C0 to C7 (simple note, probably around 1 - 2 sec long) so i can get idea about sound character * screenshots of Eden edit and mod matrix screens…
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This is something which needs to be solved at AudioKIT side.. It was reported LOOONG time ago (together with other issues) on AB Forum, but still not fixed.. It has more issues, for example another one (which is present un multiple plugins created with AudioKIT, so my guess is that is is some bug directly in AudioKIT…
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Common. Don't be to much humble ;) You can be considered a guru too, just look how much (and how great) music you made till yet ... you're damn productive talented bastard :-) Another cool tune in your collection. Lots of energy, interesting sounds, movement and evolution. :+1:
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Aaah sorry you're true .. i tried it just by drawing notes in sequencer - when they are already recorded, notes on same position (e.g. chord) are working this way (upper not is played) ...
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Just FYI - Mono-R is exactly how Obsidian plays chords when it is switched to "Mono" mode ;) So if you use obsidian as MIDI notes source and then you add to project another synth (for example any AU synth), you need just set MIDI send from Obsidian track to that AU instrument track (som MIDI notes from Obsidian track are…
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unfortunately, this is exactly area where NS is behind BM ... not possible... there areworkarounds involving third party apps (reslice for slicing, blocs wave for timestretching), but you know, those are just workarounds, not everybody accepts them ....
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oh you're true.. i did just quick test didn't noticed it saves just main page...
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there is no available PDF version, but you can save HTML as PDF easily in your browser, on iPad it works like breeze ;) Just navigate to manual page you want, then hit "share" icon and choose "save in iBooks" -> it automatically converts page to PDF and saves is to your iBooks for offline reading .. for prinint it is even…
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I can run 3 instances of Model D (default patch) if i set bugger size to "high" on my iPhone7PLUS .. this is normal.. Model D is not much optimised, it eats really a lot of CPU .. On iPad MINI5 i can run 6 instances ... worst thing on Model D is that it is eating basically same amount of CPU even if it is not playing…
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holy f*cking cow .. that is SOMETING ! wow wowo wow ! All what Jeppan said !!
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very cool ! There are moments when it reminds me Carpenter Brut (which i'm listening last few days a LOT, especially things tlike Turbo Killer or whole Blood Machines OST), just this is a bit less synthwave and more dark :-) good job, also overall sound quality is good !
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New version is LOT better...